Gail Hart Hoptman was born in a small village in Silesia in 162. He is a restaurant owner and a textile worker. Sun Zhongsun is always a lazy student, whether in Salzbulun school or in the Royal Academy of breslau. His initial ambition was to make sculptures for one year. In one or two years, he entered the Royal Academy of Art in breslau, where he studied Rudolf Ou Ken’s philosophy. Since one or three years, he has made a slow and planned trip to Spain and Italy. He was injured in a sculpture studio in Rome. A girl with a few words and a big smile, Miss Mary Timan, took care of him. This kind of thing will happen in reality for a year or five. He published his first novel, which is a gloomy novel. He tried to imitate Byron Childe Harold’s travels in a broad way, and soon published a novel. Til Randolph, a 17-year Arnolholtz friendship lecture, preached his belief in clearness. Arnolholtz talked to Hopterman in his vast library about German slang or dialects in Ye Fu. Hopterman said that he was also a village Ye Fu and looked like a village.
Hoptman wrote many famous realistic dramas: family life, fear of family, and Jewish prison is the theme of a series of dramas. Lonely people in Lebanon were plain weavers in 1992. florian Gail was two sad epic dramas in 1996. Luo Ze Berndt showed the fate of a woman who loved her son and killed him in 1993. Gabriel escaped in 1977 and was killed by two men who loved to tear her heart. There should also be several symbolic dramas: Nappe ascended to heaven in 1993, the bell sank in 1996, Biba was dancing in Grisey in 1996. In 1914, the Ulysses Bow lightly and accidentally narrated the adventures of Homer’s hero, the White Savior, and in 1992, it narrated the tragic death of Montezuma. According to Father Sahagun, the invasion found him with heavy toys in the game Indy, and the plot of Shakespeare’s storm in 1923.
Manul Kervent, a Christian fool in Gailhart Hoptman’s prose, 1991 Atlantis, 1912 Ghost, 1923 Miracle of Damas Island, 1924 crucifixion of Jesus, 1932 Suana pagan, 1991, perhaps the most worthwhile and last one. Now Hoptman lives in a remote mountain village in Dover Mountain, Agert. In 1912, he won the Nobel Prize for Literature.
Translated by Xu Helin
This article was first published in Family Magazine on August, 1937.
RudlfEuken1846196 German philosopher won the Nobel Prize in 1998.
Olaf Stapleton made stars.
It’s a pleasure for readers to meet Herzog Wells. Olaf Stapleton has created another Stapleton, far from being an artist Wells, but he has surpassed him in terms of quantity creation techniques. Although this is not the case in good follow-up development, he just avoided touching correction in making stars. On page 210, a failure violated this criterion and a historian described his wonders in an objective style, although I was worried that the word historian was too enthusiastic.
This narrative is an imaginary exploration of the universe. In the imagination, the protagonist arrives at an unexpected planet and stays in one of its human residents. The two kinds of consciousness have reached coexistence, but they have infiltrated each other without losing their individuality. Then they visited other souls in other worlds in a non-human way and built an almost uncountable capital by adding. I formed this capital. Many extremely different individuals of mine have kept their own personalities but shared the same memory experience. From the beginning to the last moment, they are all exploring the creation of stars, which is the abbreviation of this pre-adventure activity.
In some planets, the sense of taste is the most sensitive, and those people don’t taste it, but their hands and feet are wet and black. They taste metal and wood, and the taste of light soil and acid soil. Many stones taste barefoot, and plants are continuously fragrant or smelly, which determines a gorgeous, wonderful and moving world. In those vast planets, the gravity is strong and the lightest birds can hardly spread their wings and fly. Their brains are negligible, but the group has become a single-conscious compound organ. We are struggling to explore the environment with millions of eyes as millions of wings at the same time. In some huge and desolate planets, every complex of consciousness is a swarm of bees or an insect array. We rush into the subtle maze of matter in countless feet. We enter the dark activities of industry and agriculture in countless tentacles or into the shallow world. Small boats also see and hear the world while sailing. They regard it as a time without losing their socialism. He imagines that this is the body almost forever.
Several Spinozas who believe in gods believe that the universe is exhausted in an exhaustive way. Novelist Olaf Stapleton agrees with this overwhelming view.
Translated by Xu Helin
George McMurd Yad Kipling Artist
This artist Rudyard Kipling seems to be trying to analyze the artist’s writing skills, which is an endless subject. Because Kipling’s thought is debatable and simple, he is as belligerent and patriotic as he was born. His passion for order is directly related to the ingenious complexity of his art, but Mr. George McMug did not analyze it. He confirmed that this master loves biblical language and recorded some influences of Shakespeare, swinburne and Morris.
He used anecdotes to solve one chapter titled Kipling’s true love, another chapter titled Oriental women, and another chapter titled dogs, animals and children for fear of being accused of slandering or framing British timidity. His anecdotes were so boring or general that famous old British military officials said in Oscar Wilde that those who had completely lost their memories published memoirs.
Sometimes Mr. George said, so he told us the true story of Jim or determined the exact location of the old map of Lahore
If you look at it carefully, it is absurd to gather experience in the artist’s body, just like in the human body. Because of omission and emphasis on forgetting the memory, the artist combines them and makes them into art, and then criticizes them and dismembers them to restore or pretend to restore them, which promotes the mixed reality, that is to say, to restore the main chaos.
Translated by Xu Helin
Aiecas 1
Poet Edward estrin Cass’s life resume can be written in a few lines. We know that he was born in Massachusetts at the end of 1994. We know that he was at Harvard University. We know that he joined the Red Cross in 1917. He was imprisoned for three months, and his sad voice was everywhere. He conceived his first huge room. We know that he later joined the army war. We know that he is a witty repartee. His speech is often due to a passage from Greece, Rome, Britain and Germany. French language is dazzling. We know that he married Anna Barton in 1992. We know that he often paints watercolor paintings. We also know that he loves living printing more than writing.
It is true that in Kaszhong tulip chimney 41 poems in 1923, 1925 and 1925, he lived in 1923, and in 1932, the first thing that attracted people’s attention was the lively printing of naughty and playful graphic poems, and the punctuation was abolished.
This is the first thing they see when reading, and in many cases it is the only thing they see. It is a pity that Cass is distracted from poetry because he is indignant or encouraged by reading.
Face is a poem, and I translate it word for word.
Pre Di’s terrible face is brighter than a spoon. It sums up a deadly word. Even my life, the sun and the moon seem to be something that never happened. I am a bird-less cage, a string of dog collars, a kiss without lips, a lack of knee prayer, but something is beating in my shirt. It’s me. I have never loved you so much, dear pre.
An imperfect symmetry, a picture in which failure wins because of continuous surprise, is this poem. It shows the rule that a key replaces a sword or a star to find a replacement. After such things as a cage collar, it is a kissing shirt instead of a chest. I love impersonal pronouns. These are the most obvious variations.
Translated by Xu Helin
This article was first published in Family Magazine on September 3rd, 1937.
Aldous Huxley’s encyclopedia of pacifism
In the second part of 1612, it lists the viewing methods to watch the battle of the Palace River maze shop zoo temple spire masquerade fireworks coronation ceremony. He is naive, and we are interested in the health program. No one will include the battle, and no one will be incredibly intoxicated with the bayonet drawing in the famous battle of the Western Front.
In this compact 120-page encyclopedia of pacifism, every page of Huxley is ruthlessly angry at the war. He never reviles or eloquently exaggerates the emotional arguments for him. Just like Banda or Bernard Shaw, he is less angry about war crimes than he is about war stupidity. His arguments are intellectual rather than emotional, but it takes more courage than soldiers to cover up his advocacy of pacifism. He is brilliant. He wrote that non-violent resistance does not mean doing nothing, but means that great efforts are needed to suppress evil. This kind of effort does not believe in the demonic weapons and equipment of strong muscles. It believes that moral courage controls tenacity. No one on earth, even in Ye Fu, even with personal hatred, is born unkind, does not love the public, and does not respect the true and the good. This can be achieved through means.
Huxley’s respectable and impartial leftists agree that people in class struggle seem to be less dangerous than fascism, and the military efficiency is less. He said that it is necessary for the central government to recruit or enslave the government to establish a regional idol. The idol emperor is a national body or a semi-deified tyrant, and the military defense of fascism has actually changed from a socialist society to a fascist society. He also said that the French Revolution brought violence into a military dictatorship, and the Russian revolution brought violence for a long time. Now Russia seems to be a military dictatorship, that is, the real revolution can not be achieved by violent means.
Translated by Xu Helin